Tw Cen MT Condensed Regular:

Tw Cen MT Condensed Bold:

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Дополнительная информация о шрифте Tw Cen MT Condensed

Семейство шрифтов	Tw Cen MT Condensed
Подсемейство	Regular
Полное наименование	Tw Cen MT Condensed
Версия	Version 1.02
PostScript название	TwCenMT-Condensed
weight	400
Торговая марка	Twentieth CenturyЄ is a trademark of The Monotype Corporation which may be registered in certain jurisdictions.
Издатель	Monotype Typography
Издатель URL	http://www.monotype.com/html/mtname/ms_welcome.html
Дизайнер	Sol Hess
Дизайнер URL	http://www.monotype.com/html/designer/des_index.html
Описание	20th Century was designed and drawn by Sol Hess in the Lanston Monotype drawing office between 1936 and 1947. The first weights were added to the Monotype typeface library in 1959. This is a face based on geometric shapes which originated in Germany in the early 1920's and became an integral part of the Bauhaus movement of that time. Form and function became the key words, unnecessary decoration was scorned. This clean cut, sans serif with geometric shapes was most appropriate. The lighter weights can be used for text setting, the bold and condensed fonts are suitable for display in headlines and advertising.

Дополнительная информация о шрифте Tw Cen MT Condensed Bold

Семейство шрифтов	Tw Cen MT Condensed
Подсемейство	Bold
Полное наименование	Tw Cen MT Condensed Bold
Версия	Version 1.02
PostScript название	TwCenMT-CondensedBold
weight	700
Торговая марка	Twentieth CenturyЄ is a trademark of The Monotype Corporation which may be registered in certain jurisdictions.
Издатель	Monotype Typography
Издатель URL	http://www.monotype.com/html/mtname/ms_welcome.html
Дизайнер	Sol Hess
Дизайнер URL	http://www.monotype.com/html/designer/des_index.html
Описание	20th Century was designed and drawn by Sol Hess in the Lanston Monotype drawing office between 1936 and 1947. The first weights were added to the Monotype typeface library in 1959. This is a face based on geometric shapes which originated in Germany in the early 1920's and became an integral part of the Bauhaus movement of that time. Form and function became the key words, unnecessary decoration was scorned. This clean cut, sans serif with geometric shapes was most appropriate. The lighter weights can be used for text setting, the bold and condensed fonts are suitable for display in headlines and advertising.

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